New Issue
#Motherfuckinghood: Frantic, impassioned and painfully earnest
Currently on at Berliner Ensemble, Claude De Demo and Jorinde Dröses' '#Motherfuckinghood' is a razor-sharp take on […]
Editor's column
Among the Wagnerians: On 20+ hours at Deutsche Oper’s The Ring Cycle
Controversial, camp, sometimes vicious - you can say many things about Richard Wagner's The Ring of the […]
Review
“We sang for the maggots and the maggots came”: Restaging A Doll’s House
'Nora or how one composts the master's house' reimagines Henrik Ibsens 'A Doll House' through the frame […]
Review
THE WORK: A rich, mystic vision
In Susanne Kennedy and Marcus Selg's final installation of their stage trilogy, THE WORK tells the story […]
Stage
Work-Death Balance: Susanne Kennedy and Markus Selg on their new play at Volksbühne
Creative duo Susanne Kennedy and Markus Selg's third stage collaboration THE WORK takes a retrospective look at […]
Editor's Column
Novel intensity: How David Marton adapts literature for the stage
In a theatre season full of great adaptations, we spoke with David Marton about the process of […]
