Headline
THE WORK: A rich, mystic vision
In Susanne Kennedy and Marcus Selg's final installation of their stage trilogy, THE WORK tells the story […]
Stage
Work-Death Balance: Susanne Kennedy and Markus Selg on their new play at Volksbühne
Creative duo Susanne Kennedy and Markus Selg's third stage collaboration THE WORK takes a retrospective look at […]
Editor's Column
Novel intensity: How David Marton adapts literature for the stage
In a theatre season full of great adaptations, we spoke with David Marton about the process of […]
Review
How ‘Der Schimmelreiter / Hauke Haiens Tod’ offers a deft warning
Gockel's adaptations of 'The Rider and the White Horse' and 'The Death of Hauke Haien' investigate the […]
Review
Why the troubling problem of Intermezzo’s misogyny remains unresolved
The spectacle of the newly-revived 'Intermezzo' might dazzle, but it still struggles to get past the misogyny […]
Review
Beckett’s ‘Happy Days’ at the English Theatre Berlin is absurdly brilliant
Directed by Beckett's long-time collaborator Walter D. Asmus, 'Happy Days' explores the apocalypse in miniature ★★★★.
