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Volksbühne’s VIDEOTHEK: Berlin’s genre-bending film haven
The Volksbühne's VIDEOTHEK plans to have even more boundary-pushing film fun in 2025. We spoke to curators […]
Interview
Ever Given and the Suez Canal: A global trade crisis reimagined on stage
Helgard Haug's new show, 'Ever Given: A Tipping Point Revue', uses the 2021 Suez Canal shipping debacle […]
Review
‘Café Populaire Royal’: Hitting the mark, but missing the nuance
A darkly comedic look at German class and culture, 'Café Populaire Royal' offers some sharp social commentary, […]
Column
The most shocking things we saw on the Berlin stage in 2024
Cannibalistic nuns, electric rodeo bulls, a surprise rendition of 'Springtime for Hitler': 2024 was quite a year […]
Interview
“We don’t have to live by this normative structure”: How Riah Knight is deconstructing Carmen
Romani actress Riah Knight reinterprets Georges Bizet's 'Carmen', challenging the opera's harmful stereotypes and reclaiming the narrative.
Review
Verdi’s Macbeth: AI witches and a flawed future
Marie-Éve Signeyrole's adaption of 'Macbeth' tries to catapult itself into the future, but fails to bring any […]
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