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Staatsballet’s ‘A Midsummer Night’s Dream’: Playfully contemporary Shakespeare
Performed by the Staatsballet Berlin, this adaptation of Shakespeare's classic mixes old and new in a lackadaisical, […]
Review
‘Biedermann und die Brandstifter’: A hilariously uneasy feast
Fritzi Wartenberg's 'Biedermann und die Brandstifter' at Berliner Ensemble delivers fiery humour and timely social commentary.
Review
“We sang for the maggots and the maggots came”: Restaging A Doll’s House
'Nora or how one composts the master's house' reimagines Henrik Ibsens 'A Doll House' through the frame […]
Review
Die Schmutzigen Hände ★★★
Mateja Koležnik adaptation of Jean Paul Sartre's 'Die Schmutzigen Hände' (Dirty Hands) at the Berliner Ensemble externalises […]
Stage review
The Ego and His Own: Buzzing, uncompromising individualism
Max Stirner’s 1844 philosophical text of individualism has been transformed into a surreal spectacle at Deutsches Theater.
Review
As You Fucking Like It ★★★★★
Pushing the gender paradoxes of Shakespeare's comedy to the extreme, the Deutsches Theater 'As You Fucking Like […]
