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Escaping the matrix: Bishop Black’s Becoming My Body
REVIEW! Bishop Black's "Becoming My Body", a solo piece for Ballhaus Naunynstrasse playing through Jan 11, sees […]
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A radical take on Verdi: Komische Oper’s La Traviata
REVIEW! Komische Oper's "La Traviata" playing Jan 10 and 17 with English surtitles is a daring deconstruction […]
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Don’t miss our stage critic’s top picks for January
With sci-fact pioneering performance collective Rimini Protokoll celebrating its 20th birthday, our stage critic takes a look […]
Stage
Stage critic’s top performances of the year
Don't miss your last chance to see our stage critic's top performances of the year! Catch two […]
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Short-circuit: Volksbühne’s Don’t be evil.
REVIEW! Kay Voges' latest internet-inspired multimedia production at the Volksbühne playing Nov 22 and Dec 1 with […]
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Untypical Pollesch: Palast’s “Glauben an die Möglichkeit”
REVIEW! René Pollesch's piece for Friedrichstadt-Palast plays with the venue's arsenal of technical tricks, but with both […]
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