Nicholas Potter

From this author

Stage

Agony on a treadmill: Rasche’s 4.48 Psychosis at DT
Stage

Daddy issues: Richter’s In My Room at Gorki
Stage

Theatertreffen 2020 selection is anything but business as usual
Berlin

Gob Squad’s Sarah Thom on their Brexit-inspired I Love You, Goodbye
Stage

Back to the future: Volksbühne’s Germania
Berlin

Performance in the age of digital egotism
Stage

Don’t miss our stage critic’s top picks for January
Stage

Stage critic’s top performances of the year
Berlin

Director Anne-Cécile Vandalem on her Schaubühne premiere
Stage

Short-circuit: Volksbühne’s Don’t be evil.
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